Showing posts with label Advice. Show all posts
Showing posts with label Advice. Show all posts

Wednesday, March 20, 2013

Beeeeeee Yourself

So as I sat down to write this post, I accidentally clicked "new blog" instead of the little pencil button used for creating posts. Yep. It's been that long. *face palm*


What have I been doing with my life, you ask? Writing. Lots and lots of writing. Between the Day Job and the Writing Cave, I haven't made much any time for blogging. And I figure that's okay, because in the end, I write to publish books, not blogs. Well. I suppose I'm going to publish this post as soon as I finish it but… well you get the point.

I've actually been putting this post off for awhile. I mean, what could I possibly say after so long of an absence? Well, I've been thinking a lot of self-doubt.

We all have it. I bet you even J.K. Rowling had it when she decided to write a novel for adults. Write something that isn't Harry Potter? How? The key is to not let it get the better of us. We have to be brave, look our ugly internal voices in the eyes (or mouths?) and not give up. Because that would be the easy thing to do, wouldn't it? Just give up. You wouldn't have to laugh nervously when someone asks you what you're doing with all your free time since you're too busy to hang out with them. You wouldn't get caught zoning out in the middle of a conversation because someone said something to dislodge your writer's block. And maybe for once, just ONCE you could do all your laundry AND fold it.

(Yes, that's all clean. This happens to other people, right?)

The thing is, we don't write because it's easy. We write because we're writers. It'd be like telling a fish not to swim. But even knowing that, it doesn't mean there's not that little voice in the back of our heads whispering that we're crazy for trying.

Here's the thing I've been struggling with lately: accepting my voice. Don't get me wrong. I like my voice. It's what makes me, me. But you read these great books with sexy, edgy voices who aren't afraid to "tell the truth" and sometimes I'm a little envious. I'd like to be as brave as that. So I start thinking, how can I make my book edgier? Maybe I'll kill my MC's mom, or maybe I'll give her a tattoo, or a nose-ring...

This is why we write in drafts.

I'm not an edgy person. My dark side gets about as dark as dark chocolate. And I have to remind myself that that's OKAY. That's not me. If I tried to be edgy and gritty when my MC and I are not, well for starters, it would sound ridiculous, as you can see. But also, it wouldn't be my truth. And that's what we have to remember. Write what feels right to you. That's not to say don't push yourself or broaden your horizons, but don't try to change your voice just because something's in style. Do that and it will sound absurd. It will sound forced. Besides, don't you want to be able to look at your baby and say with pride, without a shred of doubt, "I WROTE that!" with no one else's words but your own?

As Genie said in the Disney masterpiece, Aladdin, "Beeeeeeee yourself." :-D

Do you struggle with self-doubt? How do YOU silence it?

Thursday, March 17, 2011

First Chapters

First chapters are hard, right? RIGHT? Good. Glad we’re all in agreement. Because let’s be honest, a first chapter can make or break a book. Or at least they determine whether someone keeps reading.

The funny thing about first chapters is that they’re usually the last ones we write. Your book probably isn’t ‘done’ until you’ve rewritten the first chapter about fifty times. Maybe that’s hyperbole. Maybe not. *shuffles in front of over-flowing trashcan* *kicks crumpled pieces of paper under desk*

We have to pack so much stuff into them… but at the same time make it look like we haven’t. A dash of back-story. BUT NOT TOO MUCH because people will lose interest. Action, but not too much of that either. You gotta make your readers care about your characters before you send them to the guillotine. You don’t want them saying, “sure, hack off that head, I don’t care.”

So how do you do that? How do you make them care? Is it internal dialogue? External dialogue? Setting? Descriptions? Action? Tension? Characterization? Voice?

I think it’s different for every book. It’s the way you sprinkle all those different aspects in, like your very own recipe. But I think every good first chapter has at least a little bit of all of those. It’s finding the right balance. And of course, it all really does boil down to character. You’re basically asking your readers to take a really long road trip with your characters. Do you think they’ll agree to get in the car without knowing them first? And if it looks like you crammed too much into the back seat, or if the air-conditioning is broken, or if the radio’s busted so it only gets AM stations? Well then, good luck. The only one who’s gonna get in is that creepy-looking hitchhiker standing there with his chainsaw.

What do you think makes a good chapter? What keeps you reading? And what makes you want to stop?

Friday, February 18, 2011

Cures for the Writing Funk


It seems to me that for the last few days, there’ve been some writing funks lurking around the blogosphere. Myself included. Not because of anything in particular, just a general lack of confidence and feeling of hopelessness. Maybe querying has something to do with it. Putting yourself out there is hard, and it’s easy to convince yourself that everyone and their mother will shoot you down. Could be the weather. I think as writers, we’re generally more sensitive to shifts in our outward environments. At least I am. And this bleak weather definitely does nothing to improve my moods.

I was reading a post about this over at Operation Awesome yesterday. So how do you pull yourself out of such funks? I didn’t know. And then last night I found the answer.

Coffee ice-cream.

I ate an entire container of it at 11:30 at night. Not the brightest move in the world, but my boyfriend’s friend was over and they were using our bedroom TV to play videogames. We weren’t going to bed any time soon.

So I plugged in my headphones to drown out the sound of Spiderman’s web-slinging and decided to take another crack at writing. I’m guessing it was a combination of the coffee ice-cream and forcing myself to keep at it, but I actually started to feel better.

So I thought I’d compile a list of cures for the Writing Funk. Feel free to add to it if you think of anything!

  • Coffee ice-cream. Try it. You can thank me later.
  • Wallow-music. It’s different for everyone, but whatever makes you feel better when you’re down.
  • A good book. Nothing better to take your mind off things. Unless, of course, it starts to remind you of your mess of a WIP. In that case, try…
  • Mindless TV shows. Self explanatory.
  • Exercise. They say it helps clear you’re head. Try at your own risk.
  • Cleaning. I can’t think straight when my surroundings are a mess. An early spring cleaning is a good way to order my thoughts. The act is refreshing and it’s mindless enough that you can mull over ideas about WIPs.

Can you think of anything else? Write it in the comments and I’ll add it to the list.

Thursday, February 17, 2011

Writing Heroes


We all want to be heroes. We all want to think that we’re the kind of person who would stand up and fight. No one wants to be the one who ran away, even if staying means you’re probably insane.

But the truth is… we’re writers. There’s a reason we write about other people’s heroics. There’s a reason we don’t put on capes and prowl the streets in search of crime. Heroes are stoic, composed. Writers? Well, we aren’t typically known for being calloused. Unless you count the funny looking bumps on our fingers where we hold our pens.

So where do we get this hair-brained idea that we know how to write about heroes?

We might not dress up in capes or save the world, but like our beloved characters, we know struggle. We know rejection. Heck, maybe the whole publishing industry is set up the way it is just to help us become better writers. There's no way our struggles won't spill over into the lives of our characters. And who wants to read about a character's smooth sailing?

The good news? The battle never ends. There will always be people who think we’re crazy for doing what we do. But anyone who pursues a dream that might be a little “unconventional” knows that the hardest battles are fought within ourselves. We can have the support of the world, but there will always be that little voice in our heads telling us we’re insane. The struggle is in refusing to listen to it. And that is good news, because without it, we'd be writing about sunshine and rainbows and forget there was ever a storm.

So go ahead. Write those heroes. You’ve earned it.

Monday, January 31, 2011

Pay It Forward

Shelli is hosting this awesome Pay It Forward blogfest/contest at her blog http://faeriality.blogspot.com/2011/01/need-agent-pay-it-forward-contest.html in which she and her participants recognize a person (or people) who have helped them in their writing journey or personal life. Go check it out!
Everyone always says that when it comes to people reading your manuscript, you shouldn’t trust your family. And I get that. I mean, my mom has mine listed under her favorite books on facebook. But my grandfather isn’t like that. He’s honest, brutally so sometimes. And I always know that when he praises something, it’s for real.


            So, if there’s one person who’s been the biggest help to my writing, it’s him. He is the one person I can count on to give me honest feedback. He doesn’t sugarcoat anything. If something isn’t working, even if he’s not sure what it is or why, he tells me. He doesn’t dance around anything or worry about it hurting my feelings.
I have critique partners, and don’t get me wrong, they’re great, but sometimes people get so caught up in the “complement sandwich” that they forget the layer of criticism. Or they’re too worried about offending you to be as harsh as your writing needs them to be.
            But honestly? We’re writers. If we can’t take the criticism, we should probably start considering another profession. Beta readers, critique partners… they’re just the beginning.
            I was about fourteen when I let my grandpa read my first novel. It was a train wreck. I mean, I was fourteen when I finished it, so really, I must have been twelve or thirteen writing it. I had every right to write a mess of a book. But he waded through it patiently, offering advice and correcting my disastrous grammar. He was never mean (still not) but he was always honest. And it’s that honesty that’s helped me grow as a writer.
            It stings sometimes, and I remember my fourteen-year-old self struggling with separating myself from the writing. Because that’s what we have to do. It’s hard to remember sometimes, but our writing is not us. When someone criticizes our writing, they’re not criticizing us. It’s the reality of writing. And without my grandfather, I wouldn’t be half as prepared.
            The thing is... he’s sick. We’re not sure how much longer we’ll get to have him. And I can’t imagine writing without him. I know he’s my grandfather and I shouldn’t expect him to be around forever. But I wish he could be.
This is going to sound so cheesy, so I apologize in advance. But it’s true when I say he’ll always live through my writing. His words and advice are entombed there. He’s played such an active role in helping me grow that only way I could ever hope to repay him is to just keep writing. And I will.
            Is there anyone that’s helped you along your journey? What did they do for you?

And here's my four sentence pitch entry for Shelli's contest:


When 16-year-old Jemma Stone is attacked by a cult of men in wooden masks, she flees to the safety of Kingery Conservatory of Elemental Enchantment, the school where she will learn to harness her ability to manipulate the four elements. Only, Kingery isn’t as perfect or as safe as it seems. There’s a darkness in its past that threatens to creep out of the shadows. And when the masked men start appearing at Kingery, Jemma must figure out why they want her dead and what it has to do with the school’s sinister past before they succeed in killing her, or worse, the person she has come to love most.